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Deadline: September 2026
Vote now!
The online voting for the Swiss Museum Prize 2026 is officially open! This year, everything revolves around the theme "Best Mediation for All Generations". We are looking for museums that bring people together, break down barriers, and foster exchange between the generations.
From numerous applications, the jury has nominated 15 outstanding museums for the shortlist. Now, the decision is yours: be inspired by the videos and mediation concepts, and vote for your favorite now!
Sound World Toggenburg
Exploring sounds, feeling resonance, reinventing traditions
<p>In the world of sound, mediation is understood in a radically acoustic and experience-oriented way. As an interactive cultural and meeting place for the world of sound and natural tone music, the house uses shared sounding and listening as a universal language to break down barriers and engage people of all ages in conversation organically.</p> <p>Sound as a Bridge for Communication: The focus is on shared experiences. Whether exploring vibrations, trying out musical instruments, or inventing your own rhythms – sound creates a natural, informal space for exchange.</p> <p>Encounter through targeted formats: Intergenerational dialogue is actively promoted through regular courses, sound festivals, and shared experiences on the sound path. For example, seniors meet families and young adults during joint music-making. These musical encounters bring together people who would otherwise never meet in their daily lives.</p> <p>Learning space without performance pressure: In the school setting, the physical, historical, and social dimensions of sound and tradition are conveyed through collaborative activities. The principle is: trying things out, making mistakes, and starting over are allowed – completely without pressure or grade stress.</p> <p>Active Co-creation: The mediation concept is participatory. Through free experimentation with the various sound installations and instruments, visitors become active participants themselves and actively shape the soundscape. Inclusion, Participation, and Feel-Good Factor: The sound world sees itself as an open, sensory space that communicates on an equal footing and consistently minimizes inhibitions.</p> <p>Support instead of frontal teaching: No musical training or prior knowledge is required to attend. The local team acts as active support: they introduce the phenomena, guide small sound experiments, and create orientation for all generations.</p> <p>Breaking down inhibitions: The mediation is not hierarchical, from top to bottom. The shared experience, the collective wonder at unexpected resonances, and the collective generation of vibrations release trust and foster a strong sense of community.</p>
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