Wettbewerb: Mein Lieblingsexponat

For the first time, the Kunstmuseum Bern is showing the works acquired by the Stiftung Expressionismus, which expanding its collection since 2007 to strengthen the profile of Expressionist art in the Kunstmuseum. The collection features works by the Brücke as well as the Blaue Reiter groups from ...the German Expressionists, but also selected works by Swiss artists from the Rot-Blau group. Their definition of Expressionism also includes American and international post-war art, now known as Abstract Expressionism. Overall there are some great works among several others that I found less interesting. Nevertheless, even the works that are less visually convincing tell the story of continued interest in the artistic mode of Expressionism.
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museumspass

“Bildnis Hermann Scherer” by Albert Müller (1925)
“Reitender Knabe” by Heinrich Campendonk (ca 1918)
“Blumen vor Bildern” by Gabriele Münter (1910)
“Italienische Landschaft” by Max Hermann Pechstein (1913)
“Baum am Bergbach” by Albert Müller (1925)
“Ferme séculaire” by Albert Schnyder (1955/56)
“Mendrisiotto” by Hermann Scherer (1925-26)
“Halenbrücke, Bremgartenwald” by Max von Mühlenen (1943)
“Mond-Schnee-Blume” by Teruko Yokoi (1979)
“untitled” by Sam Francis (1964)

lokremise
Delcy Morelos — Las formas de la sombra. Raumgreifende, vergängliche Installation aus recycelter Erde, gebrauchtem Holz und Duftessenz.
#delcymorelos #lokremise #kunstmuseumstgallen #museumspass #iloveswissmuseums

360° Digital:
Was bedeutet der digitale Wandel für Museen? Welche Chancen und Risiken birgt er? Folgen Sie dem Impuls-Gespräch zwischen Sophie Grossmann, Expertin für digitales Kulturgut, und Panoramaexperte Patrick Deicher und tauschen Sie sich beim offerierten Apéro aus.

Bei ...dieser Veranstaltung handelt es sich um die Generalversammlung des Vereins Bourbaki Panorama. Sie findet in öffentlichem Rahmen statt. Der Verein Bourbaki Panorama Luzern heisst seine Mitglieder, Gönneri:nnen und Spender:innen sowie neue Freundinnen und Freunde des Bourbaki Panoramas herzlich willkommen!

Input & Gespräch
Dienstag, 12. Mai
18.15–21.15 Uhr
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#digitalisierung #museumderzukunft #zukunftmuseen #digitaleskulturgut #zukunft

Edgar Calel
06.03.2026 - 10.05.2026

Ants made of copper and gold, representing the invisible Guatemalan labourers and their fight against the exploitation of their lands, here symbolised by mountains of salt and sugar

kunsthallebern
museumspass
#museumspass ...#iloveswissmuseums #museumandme
#museumspassambassador
#valchiara_museumsambassador

Ein Thema das die meisten lieber nicht ansprechen. Was erbe ich von wem? Was möchte ich in Ordnung bringen, noch regeln?🤔 Bei dieser Ausstellung geht es nicht primär nur um materielles Erbe. Sondern auch um Gene, Krankheiten, Aussehen und Charaktereigenschaften. Unbedingt sehenswert.👀👌 ...Die Ausstellung dauert nur noch bis SO 26. April 2026. museumspass museumspassambassador #iloveswissmuseums #museumspass #museumambassador #museumandme

In the modern art collection museumzuallerheiligen you can find works by local painters as well as more well known Swiss artists such as Giovanni Giacometti, Felix Vallotton, Cuno Amiet and Ferdinand Hodler.

Eduard Gubler, Der Schafhirte, 1918
Cuno Amiet, Ruhepause im Garten, 1911
...Richard Emil Amlser, Der Engeweiher, 1910
Unbekannt, Bildnis einer Dame aud der Familie Harder oder von Waldkirch, um 1770
Johann Heinrich Wüest, Der Rheinfall, um 1790

#mostlymuseums #iloveswissmuseums #museumspass #museumandme #museumallerheiligen museumspass

“Daniele Buzzi. Dipinti e manifesti” unfolds as a layered rediscovery — where painting, graphic design, and engineering thinking converge into a singular visual language.

Between posters that shaped a collective imagination and paintings that remained more intimate, Buzzi’s work ...moves in dual directions: public and personal, constructed and expressive.

Lines become structure. Color becomes rhythm.
Precision meets atmosphere.

From Locarno to Zurich, from infrastructure to image-making, his practice crosses disciplines — dissolving the boundaries between utility and art.

This is not just a retrospective.
It’s a re-reading — one that brings forward unseen works and reframes a legacy within a broader, more complex narrative.

Art, reassembled into continuity 🖼️

#danielebuzzi #locarno #museumandme #iloveswissmuseums #museumspass

🖼️ Daniele Buzzi. Dipinti e manifesti
📍 Museo Casa Rusca, Locarno casarusca
🗓️ 15.03.2026 — 28.06.2026

Spanning from the 13th to the 18th century, the exhibition “Life in Full. Old Masters from Duccio to Liotard” covers a lot of ground and there is a rather distinct break from the medieval altar paintings presented in the largest room of the exhibition to the subsequent rooms that showcase the ...trends of the Renaissance and the Baroque period. While religious motifs continue to be important, mythological scenes from Greek and Roman antiquity emerged on a lot of artists’ repertoires. One of these artists was Joseph Werner the Younger, who was born in Bern in 1637 and trained in Frankfurt am Main before travelling to Italy. He was active in Paris and across Southern Germany and developed a particular interest in painting allegorical and mythological scenes as well as depicting his patrons as Greek gods in portraits. Returning to Bern in the 1680s, Werner found a protestant society with little interest in his speciality. He toned down his allusions to Antiquity and painted more standard portraits and established a school for artists. In 1695 he received an invitation to Berlin, which he readily followed and he returned to Bern in 1707, three years before his death.
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“Pan und Syrinx” by Joseph Werner the Younger (ca 1668)
“Der Traum des Papstes Innozent III. vom heiligen Dominikus, der die Laterankirche stürzt” by an unknown master (1517-18)
“Antoniusaltar: Die Versuchung des heiligen Antonius” by Niklaus Manuel (1518-20)
“Neptun und Coenis” by Heinrich Aldegrever (ca 1600)
“Die Toilette der Venus” by Joseph Werner the Younger (1686)
“Greis inmitten seiner Reichtümer erschrickt vor der Erscheinung des Todes (Vanitas)” by Balthasar von den Bossche (no date)
“Das Jüngste Gericht” by an unknown artist (1609)
“Allegorie auf die Gerechtigkeit” by Joseph Werner the Younger (1662)
“ohne Titel (Blumenstillleben mit Orangen und Schmetterling)” by David Cornelisz de Heem (ca 1680)
“Allegorie auf die Vergänglichkeit” after Jacopo Ligozzi (early 17th century)

Panorama goes Planetarium:
Am Internationalen Museumstag vom 10. Mai ist das Bourbaki Panorama zu Gast im Planetarium und verbindet in zwei Live-Shows Physik mit Philosophie: Reisen Sie mit uns durch die Geschichte der Immersion, gelangen Sie an den Rand des Universums und diskutieren Sie – ...über Grösse und Grenzen, Distanzen und Dringlichkeiten.

Live-Shows & Diskussion
Sonntag, 10. Mai
Planetarium beim Verkehrshaus der Schweiz

11–12 Uhr: 360° Fulldome
17–18 Uhr: 360° Kosmos
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#fulldome #kosmos #naturundkultur #planetarium #panorama